As reported here by the Associated Press, the Fair Use Project is representing visual artist Shepard Fairey in connection with the AP's claim that his iconic work in support of President Obama's campaign infringes the AP's copyrights. More soon.
Updated AP story.
After years of litigation based on spurious allegations of copyright infringement, BT was vindicated again this week when the Second Circuit affirmed the district court’s dismissal of the case on summary judgment and the award of $175,000 in attorneys' fees to BT.
The verdict has just come through in the US District Court of Manhattan that has effected an injunction versus a Swedish author's "unauthorized" sequel to JD Salinger's beloved "Catcher in the Rye." The judge argues that the story, revolving around the adventures of an elderly man named "Mr. C." escaping from his retirement home, does not adequately fulfill the qualities of being a parody of the iconic protagonist Holden Caulfield.
Michael Savage’s motion to be dismissed as a defendant in Brave New Films’ wrongful DMCA takedown lawsuit was denied by Judge Illston on April 15.
DHL Founder and billionaire Larry Hillblom seemed to have vanished into thin air when he failed to return from a routine flight in his vintage Seabee. After his disappearance a dark side of Larry emerged. Even before he was officially declared dead, bar girls throughout Asia came forward claiming to have children by Larry and seeking a piece of his vast fortune.
SHADOW BILLIONAIRE unravels the secretive and scandalous life of this enigmatic and reclusive tycoon. The battle over his estate took on epic proportions, pitting impoverished teenage prostitutes against Larry’s former business associates and several of the largest law firms in the world. In the end it is a David and Goliath story, as a surprising hero emerges to untangle the web and discover the startling truth.
The Powder & the Glory, part of the Fair Use Project's Documentary Film Program, will have its broadcast premiere on PBS Monday March 23, 2009 at 10PM (check local listings) as part of Women's History Month.
The Powder & the Glory tells the story of two of the first highly successful women entrepreneurs in America, Elizabeth Arden and Helena Rubinstein. One hundred years ago these women immigrated to the United States and, starting with next to nothing, created what is today the $150 billion global health and beauty industry. They lived and worked only blocks apart but by design they never met. They were fierce rivals. Their competition drove them both to great creativity and success.
As announced yesterday and reported first by the Leaky Cauldron and then the Associated Press, RDR Books has withdrawn its appeal from the Court's decision enjoining the publication of the Lexicon, and will publish a new Lexicon instead.
Following the trial and the Court's decision, Steve Vander Ark created a new Lexicon manuscript. That manuscript addressed some of the concerns expressed by J.K. Rowling at trial, and those expressed by Judge Patterson in his thorough and detailed decision. As it turns out, Vander Ark and RDR like the new manuscript much more than the old one, and they decided they are much more excited to publish the new manuscript instead of the old one.
The American Indian Film Festival has honored River of Renewal by choosing it for the festival's opening night. The World Premiere will occur Friday, November 7th at 7:00 pm at the Landmark Embarcadero Center Cinema, One Embarcadero Center, San Francisco. Advance Tickets are available through the American Indian Film Festival (415) 554-0525.
The documentary film River of Renewal tells the story of the crisis in the Klamath Basin where competing demands for water, food, and energy have pitted farmers, American Indians, and commercial fishermen against each other. Remarkably, this conflict over resources has led to a consensus for conservation. The outcome may be the largest dam removal project in history and the restoration of a once vital river basin.
Will the future witness the extinction of salmon in what was once North America's third greatest salmon-producing river? Or the restoration of the Klamath as a home for life?
River of Renewal shows one of the great rivers of America in crisis while telling the story of a "sidewalk Indian" who discovers his roots among the Klamath River tribes. Jack Kohler comes to the mouth of the Klamath River to make a film about the 1978 Salmon War, the subject of a play in which he had acted as a Yurok gillnetter. Then an event occurs at the headwaters that brings the conflict over salmon into the 21st century. Farmers protest the federal cut-off of irrigation water due to a judge's ruling under the Endangered Species Act to protect three fish species, including coho salmon. In Klamath Falls, Oregon in May, 2001, Kohler observes civil disobedience by farmers in violation of federal law. Bypassing the ESA, the Bush Administration orders the unlimited release of water to farmers in 2002. Later that year, 80,000 spawning salmon die in the Klamath estuary. That disaster leads to the collapse of the salmon fishery off the California and Oregon coasts several years later. The polarization of Klamath Basin communities gives way to conflict resolution and consensus building in view of the potential decommissioning of Klamath Basin hydroelectric dams that cut salmon off from hundreds of miles of spawning habitat. Recognizing that their livelihoods all depend on the health of the river, stakeholders who had been antagonists agree to share the water and to demand the removal of the dams.
Klamath River photo by Clinton Steeds: http://www.flickr.com/photos/cwsteeds/1534860001/
Michael Savage has one of the most popular shows on the radio. He doesn't hesitate to speak his mind, no matter how controversial his views. He should be applauded for that. Many find those views highly offensive, and level fierce criticism at him. They should be applauded for that. That is the dialogue of free speech. The right to speak and the right to criticize speech you don't like are equally important.
You'd think that Savage of all people, who depends on free speech to do what he does for a living, would understand that. Yet when the Council on American-Islamic Relations ("CAIR") put up a web page last year documenting overtly hostile remarks Savage made about Muslims on his show and urging advertisers to boycott Savage's show, Savage tried to shut down CAIR's criticism of him. He sued CAIR, claiming the snippets of Savage's show CAIR used to document Savage's statements and support CAIR's criticism of him infringed his copyrights in his show. If fair use protects anything, it protects the right to use portions of a copyrighted work to criticize it, so Savage lost his case quickly and decisively.
But the attack goes on. Brave New Films created a similar video and posted it to YouTube. That video likewise documents Savage's comments and urges viewers to do something about them. Brave New Films also created a website, www.nosavage.org to support its efforts to speak out against Savage and the comments he made. Late last month, Savage's nationwide syndicator, Original Talk Radio Network, complained to YouTube about BNF's video. In response, YouTube removed it pursuant to the DMCA.
The Fair Use Project, along with co-counsel Bingham McCutchen, have now sued OTRN and Savage to recover damages for the misrepresentations made in connection with the wrongful removal of the video from YouTube, and declaratory and injunctive relief to vindicate BNF's right to say what it said about Savage in the video, and prevent the suppression of the video in the future.
Not all campaign controversies fill the national stage. But this one should get national attention for being so abusive.
Mark Blanchfield is challenging George Amedore for his New York state assembly seat. Last week, Blanchfield released political ads that include excerpts of an interview Amedore apparently gave to the Albany Business Review in connection with an award he received from the Business Review last May. In that interview, Amedore says he doesn't "look at [his] Assembly position as [his] job."
Blanchfield's radio and TV ad lambast Amedore for this comment. In response, the Business Review turned its lawyers loose on Blanchfield, who received a letter accusing him of copyright infringement and threatening legal action if he does not pull his ads off the air.
This is an abuse of copyright law that should trouble everyone, and cannot be allowed to persist or spread. Copyright is not a tool to censor criticism, and cannot be allowed to become a device to suppress statements that public officials wish they had not made.
What Blanchfield did here is a textbook example of fair use -- and an important one at that. Blanchfield is using a small portion of the video to criticize the views expressed in it by Amedore and to expose to the voters Amedore's attitude about the job he's been elected to do; moreover, Blanchfiled's use of this material will have no conceivable impact on whatever market there might be for the video the Business Review made (assuming there is a market for it in the first place).