In 1947, French statesman and novelist André Malraux, famously wrote about the concept of a “museum without walls.” The idea was simple, radical and beautiful: Reproduction, he wrote, had made it possible to liberate art from its historical location and origin, allowing the viewer to see art in completely new combinations and contexts.
The Center for Internet and Society at Stanford Law School is a leader in the study of the law and policy around the Internet and other emerging technologies.