AP Issues Statement About Fairey's Answer, Misses Point Entirely

by Anthony Falzone, posted on April 16, 2009 - 9:12am

In the answer to The AP's counterclaims we filed yesterday, we included a dozen examples of AP photographs The AP sells, which consist almost entirely of the copyrighted artwork of Fairey and other artists.

Today, The AP issued a statement accusing Fairey of "making attacks" on The AP and "deliberately omitt[ing]" the "newsgathering context in which the various images were generated and in which they are used."

The funny part about this is Fairey doesn't allege The AP's photos are illegal or infringing, much less "attack" The AP. The point is very simple: The AP applies an obvious double-standard. It is happy to sell, through its image licensing database, photographs that are really just bare copies of artists' work, yet it condemns Fairey for using an AP photograph in a far more creative, transformative, expressive and defensible way. Fairey's allegations don't say the AP shouldn't be allowed to do what it does. These allegations -- and the AP's response -- just demonstrate The AP demands wide leeway for its use of other artists' work, but insists that others, like Fairey, are entitled to much less leeway.

As for "newsgathering," The AP misses the point again. While the photographs may have originally been taken for the purpose of newsgathering, they are presently for sale on The AP's image licensing database as a commercial product for "professional photo buyers."

So let's get this straight: We're not alleging The AP's photographs infringe anyone's rights, or demanding The AP stop doing the excellent work it does. We simply contend The AP should have to play by a consistent set of rules. We contend fair use should apply broadly -- for everyone. If The AP's bare copies of other artists' work are protected by fair use, then Fairey's significantly more transformative and expressive work has to be, too.

Fairey Answers The AP's Counterclaims

by Anthony Falzone, posted on April 15, 2009 - 10:03pm

We filed our answer to The AP's counterclaims yesterday, and it's attached below. The interesting part is at the end, where we illustrate the double standard the AP seems to employ when it comes to using copyrighted works.

URAA Held Unconstitutional

by Anthony Falzone, posted on April 3, 2009 - 1:58pm

We're thrilled to report the Court has upheld our challenge to the constitutionality of the URAA's restoration of copyrights in public domain works. Today, the Court granted our summary judgment motion, holding the URAA violates the First Amendment insofar as it suppresses parties' rights to keep using works they exploited when those works were in the public domain.

Needless to say, this is a big deal. It is the first time a court has held any part of the Copyright Act violates the First Amendment and the first time any court has placed specific constitutional limits on the government's ability to erode the public domain. It is also the culmination of a lot of hard work by a lot of CIS lawyers dating back to 2001, including myself, Larry Lessig, Chris Sprigman, Edward Lee, Jennifer Granick, Lauren Gelman, Colette Vogele, Julie Ahrens, Chris Ridder, Sarah Pearson and others.

I expect there will be more to come, including a return to the Tenth Circuit. Look for updates here. In the meantime, Judge Babcock's order is attached below.

4/24-4/25: Play Machinima Law

Start: April 24, 2009 9:00am
End: April 25, 2009 12:00pm
Conference Title: 
Play Machinima Law
Description: 

Register now at http://cyberlaw.stanford.edu/playmachinima

Machinima.
...It has been hailed as the art form of the 21st century.
...It is redefining music videos.
...And reinventing the videogame.
...It might be the future of cinema.

But there's a catch: if you make machinima, you might be breaking the law.

Or are you?

Find out at Stanford University. "Play Machinima Law" from April 24-25, 2009. This two-day conference will cover key issues associated with player-generated, computer animated cinema that is based on 3D game and virtual world environments. Speakers include machinima artists/players, legal experts, commercial game developers, theorists, and more. Topics include: game art, game hacking, open source and "modding," player/consumer-driven innovation, cultural/technology studies, fan culture, legal and business issues, transgressive play, game preservation, and notions of collaborative co-creation drawn from virtual worlds and online games. Films will be shown throughout the conference, including: Douglas Grayeton's Molotov Alva and His Search for the Creator and Joshua Diltz' Mercy of the Sea.

All sessions of the Play Machinima Law conference held in April are now available for viewing.

http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=131237275&s=143441

http://www.law.stanford.edu/calendar/details/2831/Play%20Machinima%20Law/#related_media

Scrutinizing The URAA

by Anthony Falzone, posted on March 30, 2009 - 12:52pm

Two years ago, the Tenth Circuit Court of Appeals broke new ground. It held the URAA's restoration of copyrights in public domain works departed from the "traditional contours" of copyright by contravening the "bedrock principle of copyright law that works in the public domain remain in the public domain." In doing so, the Tenth Circuit became the first court in the country to hold that ordinary First Amendment scrutiny applies to an amendment of the Copyright Act.

Now we're back before the District Court on remand to determine whether the URAA can survive First Amendment scrutiny. Each side has cross-moved for summary judgment on that issue. The briefing on that issue is now complete, and each brief is attached below.

No hearing date has been set.

Hope Under Fire

by Anthony Falzone, posted on February 4, 2009 - 5:29pm

As reported here by the Associated Press, the Fair Use Project is representing visual artist Shepard Fairey in connection with the AP's claim that his iconic work in support of President Obama's campaign infringes the AP's copyrights. More soon.

Updated AP story.

Facebook's future: "Wall" or nothing?

by Andrew Jacobs, posted on July 2, 2009 - 1:55pm

In “The Great Wall of Facebook,” Wired’s Fred Vogelstein contends that Facebook and Google are approaching a “full-blown battle over the future of the Internet.” Vogelstein’s assessment boils down to two predictions: (1) Facebook will lead and monopolize a fundamental shift to “a more personalized, humanized” web search, based entirely on information supplied by one’s social network; and (2) the vast amount of personal information supplied to Facebook by third parties and users themselves will (barring user revolt) yield massive profits through online brand advertising. A prediction that Facebook will gain some advantage over Google through its proprietary data would be hard to argue against. But Vogelstein’s particular vision of that general future—in which Google is conquered by a News Feed search based purely on users’ networks—runs into problems.

Substantive Tags: privacy

Coming Through the Rye No More

by Melissa Singson, posted on July 2, 2009 - 8:55am

The verdict has just come through in the US District Court of Manhattan that has effected an injunction versus a Swedish author's "unauthorized" sequel to JD Salinger's beloved "Catcher in the Rye." The judge argues that the story, revolving around the adventures of an elderly man named "Mr. C." escaping from his retirement home, does not adequately fulfill the qualities of being a parody of the iconic protagonist Holden Caulfield.

Substantive Tags: Fair Use Project, free speech

Technically Women

by Ryan Calo, posted on June 30, 2009 - 11:05am

Inspired by a blog post last year by ZDNet's Dennis Howlett, a group of prominent women in technology have formed a new blog called Technically Women.

Free tags: code, women

New leadership at Creative Commons South Africa

by Andrew Rens, posted on June 30, 2009 - 6:56am

Creative Commons South Africa (CC Za) is now hosted at Intellectual Property Law Research, at the Department of Private Law at the University of Cape Town Law School.

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