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Three Cheers for Obscurity, an Unspoken Beneficiary of United States v. Jones

Last week, the Supreme Court issued its opinion in United States v. Jones, in which the Justices held that the government's installation of a GPS device on a target's vehicle, and its use of that device to monitor the vehicle's movements, constituted a Fourth Amendment search. The decision was surprisingly unanimous on this point, though concurring opinions by Justices Sotomayor and Alito potentially amplify the significance of the opinion by proposing alternate approaches to the larger problem of ubiquitous surveillance technologies and privacy in public. Given the majority opinion's narrow focus on the attachment of the device to the car, the larger issue of privacy in public remains unsettled.

Others have done an exemplary job of commenting on the decision. The dominant themes arising from the decision and analysis of the decision seem to be the (re?)injection of the concept of trespass into Fourth Amendment doctrine, signs of potential withering of the third party doctrine, and recognition that Fourth Amendment and privacy doctrine will soon enough be useless if they do not adequately protect against ever-evolving surveillance methods and technologies.

I'd like to focus on an aspect of the decision that has not shown up much in the analysis of the case, likely because it was never explicitly mentioned in the text. Although the word obscurity does not appear anywhere in United States v. Jones, I think the decision, particularly Justice Sotomayor's concurring opinion, supports the idea that the obscurity of our personal information is worth protecting. Read more » about Three Cheers for Obscurity, an Unspoken Beneficiary of United States v. Jones

Backseat Driving

Nevada. Florida. Hawaii. Arizona. Oklahoma. As legislators move to expressly regulate automated driving, I’ll be tracking state-by-state developments on this wiki and discussing themes on this blog.

I’ll begin that discussion with a basic legal question: Who drives an automated vehicle? The answer might be no one—a truly driverless car in the legal and technical senses. It might be a natural person—the individual owner (if there is one), the occupant (ditto), or the individual who initiates the automated operation (ditto again). It might be a company—the corporate owner, the service provider, or the manufacturer. Depending on the context, it might even be some combination of these possibilities. Read more » about Backseat Driving

Bringing King to China

“Bringing King to China” is the bittersweet story of Caitrin, a young teacher in Beijing, whose failed protests against the Iraq war inspire her to produce a play in China about Martin Luther King, Jr.

Early in the film she mistakenly learns that her father (the filmmaker) has been killed by a suicide bomber in Iraq. Read more » about Bringing King to China

INCENDIARY: The Willingham Case

In 1991, Cameron Todd Willingham’s three daughters died in a Corsicana, Texas house fire. Tried and convicted for their arson murders, Willingham spent twelve years on death row, and was executed despite overwhelming expert criticism of the prosecution’s arson evidence. Today, Willingham's name has become a call for reform in the field of forensics and a rallying cry for the anti-death penalty movement; yet he remains an indisputable "monster" in the eyes of Texas Governor Rick Perry, who ignored the science that could have saved Willingham’s life. Read more » about INCENDIARY: The Willingham Case

Eames: The Architect and the Painter

The husband-and-wife team of Charles and Ray Eames are widely regarded as America’s most important designers. Perhaps best remembered for their mid-century plywood and fiberglass furniture, the Eames Office also created a mind-bending variety of other products, from splints for wounded military during World War II, to photography, interiors, multi-media exhibits, graphics, games, films and toys. But their personal lives and influence on significant events in American life – from the development of modernism, to the rise of the computer age – has been less widely understood. Read more » about Eames: The Architect and the Painter

Casablanca Mon Amour

Casablanca Mon Amour is a modern road movie that encapsulates the more complex and fractured nature of living in a world where TV and wars compete for headlines and occupy imaginations.

Using movies as a road map between yesterday’s Hollywood and today’s Morocco, Casablanca Mon Amour offers a Moroccan perspective on the long and entwined relationship between Hollywood and The Arab/Muslim World. Read more » about Casablanca Mon Amour

First Amendment Challenges in the Digital Age

Next Friday, February 10, the Stanford Technology Law Review is holding its annual symposium, and this year's topic is an important one: First Amendment Challenges in the Digital Age. Of the three panels, one is devoted to privacy and another to copyright. The third is devoted to a long, ambitious law review article ... written by me. Read more » about First Amendment Challenges in the Digital Age

Fire in the Blood

An intricate tale of “monopoly, medicine and mass murder”, FIRE IN THE BLOOD is the story of how Western governments acting on behalf of pharmaceutical companies blocked access to low-cost AIDS drugs for the Third World in the years after 1996 – causing ten million or more unnecessary deaths – and the improbable group of people who decided to fight back. Read more » about Fire in the Blood

Megaupload: A Lot Less Guilty Than You Think

The recent Department of Justice decision to indict Megaupload for copyright infringement and related offenses raises some very thorny questions from a criminal law perspective. A few preliminaries: I’m responsible for the musings below, but I thank Robert Weisberg of Stanford Law School for taking the time to talk through the issues and giving me pointers to some relevant cases. Also, an indictment contains unproven allegations, and the facts may well turn out to be different, or to imply different things in full context.

DMCA SAFE HARBOR: BELIEVE IT AND IT WILL BECOME REAL: As a matter of criminal law, the discussion of whether Megaupload did what it needed to do to qualify for the DMCA Safe Harbor misses the point. Did they register an agent? Did they have a repeat infringer policy? These are all interesting CIVIL questions. But from a criminal law perspective, the important question is did Defendants BELIEVE they were covered by the Safe Harbor? This is because criminal infringement requires a showing of willfulness. The view of the majority of Federal Courts is that “willfulness” means a desire to violate a known legal duty, not merely the will to make copies. Read more » about Megaupload: A Lot Less Guilty Than You Think

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